Despite being a pretty big deal in her homeland, Swedish singer Tove Styrke has remained mysteriously under the radar in the UK. With this, her comeback gig after a period of time in the studio, she did much to further the mystery of why she isn’t more up front and centre, with a powerful, high tempo performance that suggests she should be on a far bigger stage – metaphorically as well as literally.
Her long-standing domestic profile is due in part to a third-place finish in Sweden’s version of Pop Idol back in 2009, but the music that immediately followed that TV experience in her youth is a far cry from where this sassy lady is at nowadays. New song Say My Name offers a good handle on the strong and creative approach to pop that Styrke is taking, but her hour-long London show was nicely varied, stringing together a mix of material old and new.
Kicking of with Samurai Boy and Borderline from her second album Kiddo, she followed that with another from the same LP, Ego, which is arguably the most accomplished song of her career up to this point.
She excitedly announced that she had a couple of new songs to play for the first time, and they went down a storm; Mistakes and On The Low giving some indication that her third album will represent another major step forward for her material, full of hooks and energy.
She returned to tracks from Kiddo, mining the album for Who’s Got News, Number One, and Snaren before launching into new tune Say My Name, which was delivered with panache as the crowd sung the lyrics back to her. But it was encore tune Even If I’m Loud It Doesn’t Mean I’m Talking To You which really sums up what she is all about. Bold, confident and fun – it’s pure pop… and she’s brilliant at it.
Performing as part of the Bristol leg of the Dot To Dot Festival, The Big Moon brought their spiky, vibrant indie-rock to a full capacity SWX. It was unsurprising that they drew such a crowd – the group has been earning high praise while extensively touring debut album Love In The 4th Dimension. But the considerable hype surrounding Juliette Jackson’s band is not unjustified; their live proposition is particularly impressive.
As is always the case with festival sets, their show was all too short and sweet, but they crammed the favourites into their half hour timeslot, including Formidable, Cupid and ending with the superb Sucker. There was also a brilliant cover of Madonna’s Beautiful Stranger – a great song, given a cracking twist by the London four-piece.
Upcoming indie four-piece, The Magic Gang proved that they are very much ones to watch at a lively show at London venue Heaven.
After the release of their third EP – the imaginatively titled EP Three – the group ended their UK tour by playing to an enthusiastic crowd in the capital. Opening with song Lady, Please, fans were already alive with energy in the pit. This continued through old song She Won’t Ghost and single All This Way as the crowd swayed back and forth in time to the melodic guitar riffs.
Who said guitar music was dead? Certainly not these four, as they play indie anthem after indie anthem with the full heart and soul of the crowd accompanying them. Feeling Better and new single How Can I Compete provoked an enthusiastic response from the fans, as some took to crowd surfing in a desperate attempt to get closer to the front. Lead vocals were shared by members Kristian Smith and Jack Kaye as they sang bittersweet lyrics like ‘And I really wanna know if it’s alright because it’s getting really hard to tell’ from single Alright – words that speak to any heartbroken teenager.
The Magic Gang – How Can I Compete
It shows that these four are destined for greatness as the energy from both the fans and the band could barely be contained in the small London venue. Hopefully looking to release an album sometime in 2017, The Magic Gang have big things ahead of them.
Words and photos: Tabetha Parrick
Almost a month after the release of his debut album Sweet Dreamer, Will Joseph Cook played his biggest show to date at London’s Heaven.
He opened with the title track from the album, a song that radiates energy which was reflected back from the crowd. Going on to play tune Plastic followed with single Take Me Dancing – no one was standing still in the venue. He went on to ask if anyone knew what day it was just before playing the song For Thursday, adding that he had been waiting all tour for that opportunity.
Cook’s melodic voice filled the venue as much as he filled the stage with his presence, taking breaks from dancing only to play guitar. All eyes were fixed on him as he got fans to crouch down during the verses of song Alive only to jump up during the chorus ready to shout the words “it’s good to be alive” at the top of their lungs.
However it wasn’t all upbeat party tunes, with the singer playing heartfelt ballads Water’s Gone Cold and Habit towards the end of the set. It was a captivating moment as he stood alone on the stage singing with hundreds of voices in the crowd.
He looked like he was enjoying himself as much as his fans, saying “I’m trying not to make long speeches between every track but it’s very hard. It’s such an exciting time to be releasing music. I just want to say thank you.” And an exciting time it was, finishing with songs Biggest Fan and Beach (I Wanna Make You Mine) – both instant classics from the album – and everyone was singing along.
It’s Will Joseph Cook’s own words that capture perfectly what everyone in that venue was thinking by then: “Look around us, this is fucking mental.”
Words and photos: Tabetha Parrick
We never tire of banging on about Fickle Friends. Not only have they put out a string of ridiculously catchy tunes over the past year or two, but they’re also a superbly polished-but-fun live proposition. We saw them late last year during their own headline UK tour (see review) but were so pleased to be able to catch them again, this time in support of The Kooks.
They made an impression with all their radio-friendly hits, including Swim and Cry Baby, with latest banger Hello Hello being a particular highlight. Catch them at a festival this summer if you can – they’re doing the summer big-time with appearances at Liverpool Sound City, The Great Escape, Secret Garden Party, Kendal Calling, Leeds and Reading. They’ll be capping that off with their biggest headline show to date at London’s o2 Forum in Kentish Town on 26 October – tickets here.
Photos by Phoebe Reeks
The Kooks returned to the O2 Academy Bournemouth for a sold-out date on their The Best Of… So Far tour, a mammoth 17-date run of shows that concludes on 13 May at London’s Alexandra Palace.
They rattled through many of their best-known tracks from a back-catalogue of music stretching back over a decade, including Eddie’s Gun, She Moves In Her Own Way, Sofa Song, and Junk of the Heart (Happy), as well as newer material such as current single Be Who You Are.
The Kooks have forged a solid reputation for strong songwriting and engaging live shows over the years since forming in Brighton more than 10 years ago. Frontman Luke Pritchard was in great form, clearly enjoying this extensive return to the road.
Other highlights of the set included Seaside, Always Where I Need To Be and Ooh La ahead of an encore consisting of Around Town and Shine On before ending with signature song Naïve.
The release of a ‘best of’ album and tour can often signal the beginning of the end for a band – a precursor to winding down and fading away. But everything about this triumphant performance suggested that there’s still plenty more to come.
Review and Photos: Phoebe Reeks
If there was some way of harnessing the energy in the room from a gig like this then it would probably solve many of the world’s energy issues at a stroke. Showcasing tracks from their debut album Beyond Repair, Blood Youth metaphorically took the roof off Tufnell Park’s Boston Music Room.
They kicked off with Making Waves before launching through much of the album, including Savanna, I Remember, and Parasite. Their fairly short but very sweet set ended with the epic single Reason to Stay. It was a triumphant gig – thankfully without any of the unwanted drama of the previous night’s show in Leeds which was curtailed when a fan suffered a serious leg injury during the gig. This time around, the high octane fun was allowed to run it’s full course, safely but at full speed – and maximum volume.
Photos: Jessica Piochon
Australian singer-songwriter Matt Gresham, has been making a big impression during his recent support slot on James Arthur‘s Back From The Edge tour. Gresham made his UK debut last summer with superb single Small Voices – and we spoke to him back then about his plans for making progress in the UK and Europe.
Gresham’s first break came on Australia’s X Factor, when in 2013 he quit the show citing the talent show’s artistic restrictions. Since striking out to pursue a more independent route, he has built himself a loyal following, winning over fans and critics alike in becoming one of the country’s hottest emerging talents. His song Whiskey, released in 2014, won Western Australian Music Awards ‘Song of the Year’. Last year, he played a string of showcases at SXSW and a sell-out Australian tour.
The past month though has been all about touring the UK with 2012 UK X-Factor winner Arthur. It’s been a different experience for him no doubt, performing solo to some sizeable venues when his live shows would usually involve a full band. But he rose to that challenge impressively well, grabbing the attention of all the early attendees during this Manchester show – strangely, a second night in the city for the tour having also visited earlier in the month.
Gresham will be releasing his debut album in August, and this tour was very much a preview of some of that material, although there were some familiar songs in there, including Survive On Love, Ghost, and Sync favourite Small Voices.
Now back in Oz for a couple of live shows in early April, he has described the past month or so touring with James Arthur as “the best time of my life”. But there’s little doubt he has plenty of good times ahead as more and more people discover the music of this talented singer.
Photos: Becca Arnold
It’s hard to believe that American pop punk outfit All Time Low have already racked up six studio albums – with number seven on the way in the shape of Last Young Renegade, due out on 2 June.
This was a chance for fans to see them in a smaller venue following last year’s Manchester Arena show and their set included a varied mix of old and new material, although with an emphasis on some of the more well-known favourites rather than too much emphasis on tracks from the forthcoming LP.
Opener Kicking & Screaming was followed by Weightless, Somewhere In Neverland and Six Feet Under The Stars. Beach balls were released into the crowd during Somethings Gotta Give, a track from their 2015 album Future Hearts, keeping those closest to the stage especially entertained for the middle section of the set.
There was the obligatory cheesy mobile phone flashlight moment during Therapy when batteries were drained to help illuminate frontman Alex Gaskarth while he did his thing. That track aside, the pace never really slowed throughout, although there were several other stand-outs. Take Cover and Dirty Laundry certainly scored highly in the crowd-singalong stakes.
During final song of the night Dear Maria, Count Me In, from their 2007 second album So Wrong, It’s Right, Gaskarth and Jack Barakat handed their guitars to their crew before taking up positions on the barrier to sing with fans, giving some of their most fervent devotees a bit of up-close-and-personal time.
Full of energy and showmanship, it’s really rather reassuring to see that these guys have lost none of their live show spark after 14 years in the business.
Photos: Becca Arnold
Just days after the launch of their self-titled debut album, Scottish rock outfit Vukovi brought their high octane live show to Tufnell Park’s Boston Music Room for a hot and sweaty evening of energy and plenty of noise.
Kicking off with latest single La Di Da, they pretty much showcased the entire album during a set of around 50 minutes or so. Weirdo, And He Lost His Mind, Bouncy Castle, I’m Wired and Prey were all strong highlights, with singer Janine Shilstone proving herself to be a highly accomplished frontwoman for the hotly-tipped four-piece.
The album has been receiving rave reviews – not least by us – but the key measure is always how the material stacks up live, and it was a test they passed with flying colours. They clearly won’t be playing venues this small for much longer, especially after more music-loving punters clock on to them this summer during their many festival slots.
Vukovi saved the best until last though, with an encore of Animal and Boy George to send the punters home on a high and with their ears no doubt ringing.
Photos: Jessica Piochon
Four years after their last UK tour, The xx played the first of a seven night residency at The O2 Brixton Academy, as they set about breaking the record for the longest sold out run at the venue.
The first night set consisted of a mixture of old and new songs all played in a unique way that differed from the recorded versions. Opening with new single, Say Something Loving, from their recently released third album I See You, the songs merged together to include old singles from their debut album. Towards the end of the set Jamie xx even sampled his cover of Sweet Like Chocolate by Shanks & Bigfoot before going on to play a full version of his song Loud Places from his solo album In Colour.
The magnitude of what they had achieved was not lost on the trio as they expressed gratitude and disbelief towards the crowd many times. Romy Madley Croft told fans that the Brixton Academy was where they had their first ever live music experiences, going on to point out exactly where they each stood. While Oliver Sim was mostly overcome with emotion, even expressing tears while watching his bandmate stand centre stage and play the song Performance on her own.
Completely made up of mirrors, including a ceiling panel which was angled so you could clearly see Jamie and his set, the stage filled with ethereal light which evolved with the music. During song Basic Space from their debut album, which was sang in a very minimalistic, stripped back way, Oliver and Romy moved their mics forward and were highlighted by a single spotlight. To contrast during Loud Places, lights of every colour of the rainbow filled the stage making it seem like a dream.
The band finished by playing their first new single, On Hold, which had fans dancing and filled the venue with energy. This was followed by old song Intro which, even though it is an instrumental, still had the crowd singing along. This merged into the much anticipated track Angels and emotions were high as fans realised the set was drawing to a close.
It was a dramatic yet intimate show, one that anyone who was lucky enough to be there will be talking about for a very long time.
Words & photos: Tabetha Parrick
The Verve‘s Bittersweet Symphony is one of those pieces of work that we would consider ‘untouchable’ – that is to say, it should always be out of bounds for any artists looking to do a cover version.
So the news that London Grammar had taken this iconic song on was greeted with concern at Sync towers. However, we needn’t have worried. The trio have given it a totally different spin and created something very special. Take a listen…
London Grammar – Live Gig for BBC Radio 1 [UK only] (skip to 16:45 for Bittersweet Symphony)
It’s always with a slight sense of trepidation that we go to see for the first time live an artist that we’ve been fans of for a while. Will they live up to expectations? Can they really cut it on a big-scale headline show? Well, we need not have worried about this one. South-Londoner Izzy Bizu gave a dazzling performance that reassured that the hype surrounding her has plenty of foundation.
Whilst hers is not yet a household name, plenty of her music will be familiar to many, not least from her vocals on the intro theme for the BBC’s Euro 2016 coverage – an uptempo take on Edith Piaf‘s La Foule – but this gig introduced those who had not yet had a chance to hear it to most of the tracks on her recently-released debut album A Moment of Madness.
Some key highlights included big singles Mad Behaviour and White Tiger, as well as an absolutely sublime pared-back performance of Someone Who Loves You, for which Bizu was joined on stage by electronic duo Honne.
Her live band left the stage for that one track, but for the rest of the show they were by her side and were as impressive as Bizu. Her music style takes in all manner of jazz and soulful fusions and the musicians and backing vocalists met the task with style and swagger.
What she lacked in assurance at the very beginning of the night – Bizu was clearly (and understandably) initially nervous in front of a sold-out crowd at what is one of London’s most visually stunning venues with its multi-level balconies towering high above the stage – she more than made up for as she settled into proceedings.
In the end, it was clear she was enjoying herself, although not nearly as much as her fans who lapped up everything she did. It was an exquisite vocal performance from a charming and unassuming young singer who has all the attributes to be doing her thing for many, many years to come.
Every now and then a voice comes along that makes you sit up and listen. We can’t think of a better recent example of that than JP Cooper whose When the Darkness Comes EP is due out on 26 January.
His is a soulful sound, in places reminiscent of Terence Trent D’Arby (or Sananda Maitreya as he’s now known!) but with a richness and versatility that suggests he can lend this voice to a multitude of different genres.
Cooper has been plying his trade for a couple of years now but deserve a big break, and the tracks on this EP will hopefully deliver just that. Catch his February UK tour dates in small venues before he goes large.
JP Cooper – When the Darkness Comes
Guildford (The Boileroom – 1 February)
Bristol (The Old Bookshop – 2 February)
Gloucester (Guildhall – 4 February)
London (The Islington – 9-13 February)
Leeds (Oporto Bar & Restaurant – 15 February)
Leicester (The Soundhouse – 19 February)
Stoke-on-Trent (The Sugarmill – 20 February)
Liverpool (Leaf on Bold Street – 22 February)
Ballater (The Deeside Inn – 25 February)
Stornaway (The Woodlands Centre – 27 February)